Monday, November 26, 2012

“Dude”- The Curious Case of a Fairytale of Words


So, after having a conversation with one of my classmates on fairy tales, I discovered we are both enthusiasts of the mentioned genre. We both agreed on the intrinsic value fairy tales carry with them and that’s practically how this blog post was born. It occurred to me that “fairy tale” is a pretty flexible category and under the “right” molding, it can be used to suit the purpose of the writer/speaker. Thus, I think each word is a fairy tale in itself, and I've probably written a couple encrypted fairy tales up to now. Some call it etymology, cultural background, etc. or other technicalities, but to me each word is a fairy tale. Why? Well, just as simple as that. Because I like words and I believe in their whimsicality. I like to mold them, bend them, make them cry, make them shout out loud, or just make them be. Because each word renders a universe, a frozen instant of thought and it carries an invisible story that gets to be uttered in one breath. That’s all it takes to let it out.

But does anyone ever think of the birth of that word, of how people carved it moment by moment? It’s as if words are witnesses to all the cultural and historical movements. Most of all, words are witnesses of people, of personalities. They can be anything you want. They mimic the human universe to the point of merging with it. And maybe in the making of an universe, we think of words as our own property, a good granted through birth whose importance is less diminished unless it honors ours. But to grant them the importance of their existence is to honor our existence as humans. The conscience of a word is the conscience of a thinker. And what better opportunity to treat words right as being in another country? My love for English kept my enthusiasm alive and maybe where some saw the ordinary, my world painted itself in the whimsicality of the meaning. “Every day a new word” was a pledge I found it hard to keep but it was the one rule animating my fairy tale of words. Those fickle words that eluded me so often, that fooled me with their make-believe attire.

Because sometimes they did. I've grown to know how shifting the sands can be in the informal language. An assumed mask tells the opposite fairy tale or marries two fairy tales of meaning, subject to human creativity. “Dude” spelled out for me the tale of the young male, coming out of the mouth of youngsters. It just exuded pure masculinity to me, assigned in slang-ish contexts. I was extremely puzzled to find out it might as well be applied to the feminine representative of the human species. The fact in itself had a mind-boggling effect on me, but in the process of rationalizing the findings, the view seemed less incongruous. I mean, there wasn't anything that exclusively masculine in the poor word. An amazing return to the “wordy” senses! To make matters worse, a fraction of the same underground issuing power decided that there should be a proper feminine version to the unisex “dude”, namely “dudette”. Now, this does sound like a vindication of words’ rights – a masculine word should naturally have its feminine counterpart. In the process of the word creation, retort to French word formation is naturally inevitable. I guess it just adds some of the romantic mystery of less spoken language in the Anglo-Saxon scenario, or is there another reason that eludes me?

The curios case of “dude” is nothing but a mere example of word mobility in a language displaying severe symptoms of offhanded, but welcome creativity. Word on, dear friends! 

Sunday, November 11, 2012

Naah, That’s Not Art!


The Butterfly Effect
You pretty much can’t call art what I do with words. But it’s what I do for now. My words are all I’ve got and arranging them in comprehensible patterns is the job at the time being. My art is my attempt and if you feel differently you probably do because you have the double right to feel that way: well, weren’t we born with the innate right to feel differently and secondly, I grant you the right to dislike all I write because there isn’t much greatness to it. But in the seemingly meaningless meanders of my keyboard, many thoughts churn inside my head whether I like it or not. I guess I chose to do it, but I’m still praying to God to give me the wisdom to know the difference. I’m not sure if that sounds sarcastic or not, but it sure wasn’t intended so. I haven’t come to terms with myself whether I should stop the ramblings or get up and fight the demon with a new shield, encrusted with better, stronger words that coalesce to better form a mirror of the world, and of my world. It’s about acquiring an exquisite technology of the word. The struggle is tough and in the making of a phrase many voices soar and roar and preach: ”You better stop doing this. Naah, this isn’t art!” 

And they might very well be right, I know I walk on a thin layer of ice and who knows what lies beneath in the murky depths of universal reactions. You can hate it if you want to, I promise I won’t take it to the heart. I might stop or I might rise again to the surface; a humbled Venus of the lake, risen from the scum of shame. I wonder if Venus was literate at all and if writing had any draw for her? It would have been pretty awesome, though. In the meanwhile, I’ll pretend she’s my avatar and that in the making of my flash-stories, she’s able to write and if the result isn’t that great, well, I found my scapegoat.